易烊千玺用宝丽来拍摄了两组摄影作品,一是蜜兽与E30车模的合影,一组为一簇娇野的羊踯躅花,穿破坚硬车身肆意向外生长,在灯光的投影下蜜兽和黄花都呈现出新的状态,实与虚,状与神之间,同一物体的异化感具像化了「当众平凡,暗自独特」的精神。

Jackson Yee created two sets of Polaroid photographs. One captures the Honey Beasts alongside the E30 car model, while the other features clusters of yellow azalea blooms breaking through the rigid car body and growing freely. Under the lamplight, both the beasts and golden blossoms take on fresh forms. The interplay of reality and illusion, shape and spirit visualizes the alienated charm of the same object, embodying Men De Er Mi’s spirit of being ordinary in public yet distinctive at heart.


关于「闷得儿蜜」 about Men De Er Mi




除去拍摄海量的照片,在无序中寻找有机的统一场,他还实用移膜和拼贴技术,破坏原照片的完美性,重塑一种破碎、意外的美感。

Apart from taking numerous photos to seek organic unity amid chaos, he also applies emulsion lift and collage techniques to break the perfection of original images and reshape a fragmented, accidental aesthetic.



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