拍摄「长安十二时辰」时，助理要准备一个专门的箱子，塞满泥、铁丝、钢筋。每天剧组收工后，就熬夜捏，放在酒店洗手间的台子山。泥塑是他表达和输出自我的一个媒介。
While shooting The Longest Day in Chang’an, his assistant kept a dedicated case filled with clay, iron wire and steel bars. After finishing daily filming work, he would stay up late sculpting, placing his works on the countertop of his hotel bathroom. Clay sculpture served as a medium for him to express and project himself.
While shooting The Longest Day in Chang’an, his assistant kept a dedicated case filled with clay, iron wire and steel bars. After finishing daily filming work, he would stay up late sculpting, placing his works on the countertop of his hotel bathroom. Clay sculpture served as a medium for him to express and project himself.